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  • Compact Disc (CD) + Digital Album

    Comes in a 4-panel matte digipack featuring Wilmington artist Kate Winchell's detailed scratchboard illustration.

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    The limited edition 12" vinyl version of "Overgrown," pressed by United Record Pressing, and featuring Wilmington artist Kate Winchell's detailed scratchboard illustration.

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1.
It was an aimless congregation of structures in their servitude A haphazard hamlet hung on the far face of a foreign moon Unnamed, unpaved, unshaded, caked in the direst of mud A tomb of termination at the mouth of a gamma ray flood And it runs in cold blood
2.
We lie and we stay out, we walk about, and breathe the night air And we coax a fire, in envelope's and postal-note's tin And here they come, oh shit, hide. The headlights are growing Hide. Under pampas-grass hangings And they chase us through the quiet They run us through the warm air And they force us through the forest And we keep on running Go! Run! Hide! Run! We cut the ocean, on splinters and fishermen’s lines And with nothing left to do, we slip ourselves on back inside Crawl under covers, and we hide. From all that is out there. We close our eyes and we Hide. Behind sheetrock-wall shelters. And they chase us through the quiet And they run us through the warm air And they force us through the forest And we keep on running Go! Run! Hide! Run!
3.
Give me your eyes Stay the night Surrounded Stranded This virus inside us Incubates Stuck, always Stranded. Lo, a shadow swaying out my window It sways, it salivates, In swollen, stupor, stutter-steps, It steps high and hunches low A staggering vessel Condemned by light It’s nocturne nature not realized We called the cops The cops don’t come All we need ourselves a gun All we need ourselves A fatal opportunity The virus drives us rabid raising sun I keep on Stomping on The same shadow I stomp And stomp And still It only grows Love, let’s light it up Aim and light it up
4.
I’m alone, you’re alone I’m just looking for someone to hold, Oh Lord, the carpet in my car the bleach is eatin' away It’s pink and it stinks and it’s s’posed to be gray It’s not supposed to fall apart that way Where’d you go, where’d you go? I’m alone, you’re alone, you know The roaches in my house don’t live very long I can’t help but think the narrative's wrong It’s not My tongue Don’t take My tongue Just let, me feel Something worth the feel
5.
Cellophane 03:37
Wrap me up in cellophane Package me for masquerade Box me up and tape me in Cellophane the whole thing again Hold me up and let me go Abandon me in florescent appraisal If you don’t abstain from cellophane and leave Bag me up and take me home Check me out and let me go Store me in a reserved and brimming depot If you don’t abstain from cellophane and leave Break me out and make me yours Wrap me up in cellophane Package me for masquerade Box me up and tape me in Cellophane the whole thing again
6.
Old 93 05:41
Fold it over, Crease along the hem, Sewn in indigo. Brother said so. Woven in satin, Bust the seam open, It’s me again. It’s me again. Brother say no There’s too much haunting around Brother said, “no. There’s too much you.” This treasons over Your goddess calls us To sing, “it is me again. It’s me again” Brother say no There’s too much haunting around Brother said, “no There’s too much you” In the timber, I left him, Left him with blood on his knees And blood in his teeth The axe up the tree I took what I needed I buried it under my sleeve The fabric was free Out by Old 93 And of her I know nothing Save for the height of her cheeks Her Cherokee blood, it seeps I was afraid of the seep September She sleeps In autumnless heat Let’s go haunting, October She shakes some spooks She’s out of reach We left her at Old 93 Lover say no There’s too much hunting ground Lover said, “no. There’s no one like you”
7.
If ever you decide you’re coming home The room is yours It’s just the way you’d want it It’s just for you: I hung your posters on the wall I have your photos on your desk I have your curtains hanging thick, So the sun won’t shine on in But the dust sure does stick If ever you decide you’re coming back This severance ends I could just stop waiting Just for you I set your pillow on your bed I set your poems up on the mantle I set fire to your cigarettes And forgot about the rest Oh, you’re all I know
8.
Lie Down 05:24
Lie down, Lie down, Lay my fortune wide In this story, my life Is only a line A little letter in the poem Allow me and I’ll contribute a song When yesterday’s wind, came in The town boarded up, they locked themselves in And before the thunder The rain started pouring The river flood the streets, the wind blew no warning So Ma, she came out after the storm Wheeling like hurricane, she turned around, she warned, “There’s nothing else left, Everything’s gone You can stay here, but I’m moving on” Lie down, lie down, lay my fortune wide Cause the suns through the pines And the tides on the rise And there’s no reason why For erosion by ocean and outer space light So Ma she took the train, and I stuck around But the pine mill closed, no work could be found So I went for food I went into town But the farmers were gone, the market was down So I went to Rosemarie’s grave Atop of the hill, she lasted the surge-water wake So I sat down beside her But she wouldn’t make a sound So with nothing else left, I went to lie down and drown Lie Down, lie down, lay my fortune wide, Cause I’m through the pining, There’s no silver lining No reason to cry No reason that I shouldn’t lie down and die Though the river is swift, It aint always deep I can see the rocks on the bottom where the crayfish sleep And I drift, and I pray I drift and I pray I drift and I pray I’ve just enough faith
9.
Jug Odyssey 00:16
10.
Hey Bottom Feeder, with your faith in the mud Hey Bottom Feeder, twisting in ashes and suds Don’t you wanna come up? Hey Bottom Feeder, tell them bout the way it was Hey Bottom Feeder, with the clang of the dawn Hey Bottom Feeder, big bang get back it’s bigger than you Cause the ghost won’t shake it for you Hey Bottom Feeder, darling, won’t you let em go home? Oh, siphon this soul mine. What love is enough, huh? I know. You can’t cut loose from this muck. Ghost aint coming right up. Ghost ain’t feeling no touch. Omnipotent honey, the power is nice Knowing is poison, but the being entices the plight And you’re fed nickels and dimes Oh Bottom Feeder hangs the middle, but I don’t exist in this scheme Can you mend me, shepherd of loons? Can you holler at em, make a dollar healing them wounds? Can you pull it out, suck a rheumatism out of her bones? Pull it out, pull it out, pull it out Oh Bottom Feeder, can’t you cut it or deliver us home? Oh, siphon this soul mine. What love is enough, huh? I know. You can’t cut loose from this muck. Ghost ain’t coming right up. Ghost ain’t feeling no touch. Hey Bottom Feeder, with your faith in the mud Hey Bottom Feeder, twisting in ashes and suds Don’t you wanna come up? Oh Bottom Feeder, tell em bout the way it was. Oh Bottom Feeder, tell em bout the way it was. Oh bottom Feeder, tell em bout the way it was.
11.
Sister said to me, “remember Franklin’s Grocery? We’d cop the liquor from the boys in the back And we’d get drunk and fall and laugh and count our clouds Drifting silhouettes of ourselves.” But sister saw the boys and her belly took to swell So I’d get the liquor myself Stumbling alone on a sidewalk, praying lord Lord, don’t see my falling now, in the sunshine round and round Sister said to me, “take away my baby, Take him away from me Cause the devil is real, he’s raking away in my living room Dragging, on everything I own.” So I took baby to the garden and I brushed the gnats away I hid him in the shade And I think he may have smiled at the children, ringing-a-rosie around And I think I may have smiled, In the sunshine round and round Sister said to me, “don’t you bring that child around, Take him away from me His daddy ain’t coming home, my mind is worn with mockingbird song Take him away from me” But with one shot of gin, it’s hard not to side with sleep And I don’t recall if I dreamed But I awoke to hear the neighbors crying loud And sister, dragging baby on the ground In the sunshine round and round
12.
A Way Out 05:06
Give me your eyes That crow’s feet gaze Tampered wirings Tangle up August Your eyes, my eyes, Soon ought to fade Come autumn time I’m burning this house down When embers ash and stray from smoke, We’ll stray, not to waste another summer Cause this is as young, As we’ll ever be Let go of me Give me your eyes If only our arms had held our youth In the stare and the touch of each other But this is as young As we’ll ever be Look unto me Give me your eyes Don’t ignore me lone Erase me like some relative You’re tired of dealing with Love is alone If there was a connection I think I was wired wrong Circuits overload, There’s nothing but ashes now But the view’s far more beautiful Way out I’ll Find a way out Far away out I’ll find a way Open your eyes, older cedars climb outside
13.
Weeds 05:08
Satellite Is it bright out there, Overgrown, In the tendrils of shade All your hair’s entangled In your kudzu crown It’s all vining and blooming Untamable And when we hit calm it was soaking in miles of moonlight Settled in orchards and vineyards in acres of rows And over all the fields Hung satellites Each inviting us to bathe And settle in the soil Over each, another moon That we couldn’t choose And when we hit love I just coddled and loved it away Settled and tied to a bed twin-sized alone Blindfolded By ambitious vine I heard awful laughter Felt their flashlights rise Seeking and destroying Untamable It’s a massacre Of every hue A million moons Remain to settle Over all the farms And over all their fields A noxious weed Remains to settle

credits

released October 30, 2012

Justin Lacy – acoustic guitars, vocals, percussion, synths
Sophie Amelkin - vocals
Keith Butler Jr. – drums, percussion
David Easton – electric guitars, ukulele, mandolin, banjo, lap steel
Jacob Hurley – upright bass, electric bass
Aaron Lane - trumpet
Adam Powell – whistling, vocals, glockenspiel
AJ Reynolds – tenor sax, bari sax, clarinet
with:
Heather Bobeck – Vocals
Sean Bowman – Drums, Percussion
Christa Faison – Violins, vocals
Brit Garner – Vocals
Carter Jewell – Vocals
Chris Johns – Cello
Whitney Lanier – Vocals
Rebekka Sekeres – Vocals
Amy Smith – Vocals
Andrew Zucchino – Vocals

Produced by Justin Lacy with Andrew Zucchino
Engineered by Justin Lacy and Andrew Zucchino, with Brian Weeks and Lincoln Morris
Recorded at Winoca Studios in Wilmington, North Carolina
Additional tracks recorded in living rooms and practice spaces
Mixed and mastered by Nick Petersen at Track and Field Recording, Chapel Hill, North Carolina
Art design by Brittny Roller
“Brittny’s Dream” scratchboard illustration by Kate Winchell
All songs written by Justin Lacy, except for “In Cold Blood,” written by Justin Lacy and Ryan Spooner, and “Jug Odyssey,” improvised by Aaron Lane and AJ Reynolds. “Lie Down” is based on a collaboration by Justin Lacy and a man named Miles
Project consulting and advising by Brian Weeks and Lincoln Morris

Thanks to all of our friends and family whose support and contributions allowed this project to exist:
Mom, Dad, Brittny's mom and dad, Morgs, Papaw, Nanny, Soultron, Mike Blair, George Clark, Lee Mann, Erika, Hiroshi, Stephanie, Melanie, Emily, Saint 43, the Jensons, Marc Cantor, Ashlie White, Andrew Bopes, DR Dave, Michael Graham, Luke Bowman, Reid Simpson, Amy Mann, Kevin Rhodes, Ashley Lynch, Lance Bryant, Emma Lee, Chris Utesch, Wayne Dixon, Will Piner, Grant Betsy, Down to Earth, Jessica Hane, Cody Bryant, Ashley Pittman, Atha Michel, J. Neil Blackman, Alan Searcy, Tristan Hoagland, Melina Reed, Hayley Thompson, Brian Durham, Gary Mann, Tina Weir Lacy, Courtney Bridgers, Jacob Sickles, Conor Mahoney, Michael Escobar, Carol and Allen, Carrie Malabre, Anaheim Heischa, Michelle Connolly, Sandra Hunsucker, Madelynn Simmons, Paxton Henderson, Old Ben Jamieson, Blueberry Fusion, Mary Claire Curran, John W. Golden, Lisa Brown Bohbrink, Katherine Wolf-Webb, Mike and Becky Lynch, Malte "Speedy" Perenz, Donnie Welch Poetry, Nicholas Nickleby, Devin DiMattia, Madeline Martishius, Brittany Libby Martishius, Ethan and Ashley Sikka and Rich and Mimi McLaughlin and Byron and Brianna Harris and Chris and Karen and Michelle Easton and David and Jeannette Cabanis-Brewin and the Magical Mr. Coates.

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Justin Lacy and the Swimming Machine Wilmington, North Carolina

The Swimming Machine runs on combustion. Fill it with fuel – a blend of upright bass, sax, guitar, banjo, mandolin, violin, xylophone and trumpet. To ignite, whistle, shout, and sing. Oxygen is required. Stomp if it gives you any trouble. To get the pistons turning, stir in some tambourines, buckets, shakers, cymbals, spoons, a tin can and as many floor toms as you can get your hands on. ... more

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